饰物非物
NORNAMENTS
陈冠男 x 歐軍佑 x 王琦 首饰联展
SCHMUCKAUSSTELLUN VON CHEN GUANNAN x OU JIUN-YOU x WANG QI —《 饰物非物 NORNAMENTS 》
© GALERIE SHANGHAI
选择 陈冠男、歐軍佑 和 王 琦 三位女性首饰设计艺术家参与这个群展，是因为她们的作品都在向我们传达一个概念：熟悉却未曾感知。 这些作品所选用的材料没有珍贵的宝石和稀有金属，她们用到的是珍珠质、水晶、铁、页岩。就是这些我们熟悉的介质，她们每个人又都通过作品表达了彼此不同的侧重。
CHEN GUANNAN, OU JIUN-YOU and WANG QI are all female jewelry designing artists. They are put together in this group exhibition because their art all convey a shared concept: things that are familiar but have never been perceived. The materials used in their works are not precious stones or rare metals, but rather pearl essence, crystal, iron, shale plus and shadows. These are familiar media but the artists create unusually products of beauty. Yet each of them expresses a different perspective with their works.
陈冠男 通过她设计出来的一台机器，模拟了珍珠质在牡蛎体内的分泌和包裹状态，从而构建了一个纯粹的人工生产珍珠的操作模式。就在这个完全机械化人工参与的操作之下，她重新定义了一颗珍珠的意义。因此她的 “珍珠饰品” 可以是一个毛主席像章、可以是一把自己喜爱漂亮勺子，当然还可以是任何对于人们来说具有意义的物件。此时，牡蛎与珍珠，这对“母与子”已经不再彼此熟识。
歐軍佑 的作品强调的是一种 “仪式” 状态。她选用铁和水晶，这两种具有对立性的元素作为展示主体。她说：当身体或心理经验以一种“危机”的形式出现在生命中，此时这种 “危机” 便与近代象征主义的人类学家给予部族 “仪式” 的定义产生了关联。
王 琦 在 2018年 海上花画廊 的个展中曾为我们展示过她对于不同介质的再定义。今次她将把这个概念再一次通过更加大胆的诠释去放大出来。她的作品告诉了我们，对于物质本身的价值界定其实我们谁也不了解。那些我们自认为熟悉的价值，事实上都是被刻意附会上去的。信息上的断层令我们无法去感知一种介质的另一面。
Through a self designed machine, CHEN GUANNAN simulates the secretion and parceling process of pearl essence in a oyster. It is a more extreme simulation of artificial production of a pearl. Under this fully mechanized process with human involvement, she redefines the meaning of a pearl. The “pearl jewelry" she makes with this machine can be a Chairman Mao badge, or a shiny pretty spoon, or even anything meaningful to the person who operates the machine. The “mother – son" relationship between an oysters and a pearl seems to be toppled and they are no longer familiar with each other.
OU JIUN-YOU emphasizes the ceremonial sense. She uses two quite opposite elements, iron and crystal, as major media of the show. The artist said that when the body or the mind appears in life in the form of a crisis, this crisis is then connected to the definition of tribal ceremonies given by modern symbolic anthropologists.
WANG QI expressed her redefinition of different media in her solo exhibition at the Shanghai Gallery 2018 in Munich. At the new Exhibition she will go more boldly in her interpretation of this concept. Her work tells us that no one knows how to define the value of the matters. The values of things that we think we are familiar with are in fact all deliberately attached to them. The fault of information stops us from perceiving the other side of a medium.
我把展览的题目定为：《 饰 物 非 物 》。是因为我认为她们的作品已经脱离了简单装饰的这种功能属性，甚至有的作品在形体上也表现出了不可控的状态。因此我相信这个展览将带给人们非常不同的一种体验。
The title of the Exhibition is ‘NORNAMENTS’. These works share a profound philosophical thinking about jewelry, elevating jewelry from the superficial ornamental function to a more metaphoric art object. Some works are even uncontrollable in their final forms. I believe this exhibition will bring a very different experience.
— 策展人 Curator, 張 昭 JO ZHANG
陈冠男 x 歐軍佑 x 王琦 首饰联展 SCHMUCKAUSSTELLUN VON
CHEN GUANNAN x OU JIUN-YOU x WANG QI
—《 饰物非物 NORNAMENTS 》
展览开幕式 ERÖFFNUNG
am Donnerstag, den 14. MÄRZ 2019, 19 Uhr
in 海上花画廊 GALERIE SHANGHAI
展期 DAUER DER AUSSTELLUNG
14. MÄRZ – 25. APRIL 2019
(*sowie am 17. MÄRZ 2018, 11 – 18 Uhr
während MUNICH JEWELLERY WEEK 2019)
地点与开放时间 ORT & ÖFFNUNGSZEITEN
海上花画廊 GALERIE SHANGHAI
Nymphenburger Straße 107,
80636 München (U1-Maillingerstraße)
Dienstag – Samstag, 11 Uhr – 18 Uhr
参展艺术家 KÜNSTLER
▍展览侧拍 RÜCKBLICK DER AUSSTELLUNG
首饰联展 SCHMUCKAUSSTELLUNG —《 饰物非物 NORNAMENTS 》
展览开幕式 Ausstellungseröffnung am Donnerstag, den 14. März 2019, 19 Uhr
陈冠男 CHEN GUANNAN x 歐軍佑 OU JIUN-YOU x 王琦 WANG QI x 海上花画廊 GALERIE SHANGHAI
© GALERIE SHANGHAI